![]() ![]() Fugger’s library was passed to the Bavarian Court Library in 1571 and is now housed at the Bayerische Staatsbibliothek in Munich. His rich library, consisting of manuscripts, both autographs and written by others, and printed books, was bought from his family by H.J. Thanks to his well-spent study years in Padua (1463-1466), he also played an important role in the dissemination of Italian humanism north of the Alps, as witnessed, for example, by his important collection of inscriptions and Humanist texts. The Padua-trained medical doctor Hartmann Schedel (1440-1514) of Nuremberg is today maybe best known for his Liber Chronicarum, printed in Latin and German (Weltchronik) in 1493 with an ambitious programme of xylographies. Obwohl sich unter den Funden nur wenige diagnostische Arte Während detaillierte stratigraphische Angaben im Allgemeinen fehlen, können wir über das Vorhandensein von 316 Steinartefakten sowie von Fau-nenresten aus der Fundstelle berichten. Neue Forschungen zu den Ausgrabungen von Eduard Peters im Felsdach Schafstall II im Laucherttal in Südwestdeutschland Zusammenfassung: Im Zuge eines Vorhabens, die Paläolithforschung im Laucherttal wiederzubele-ben, legen wir eine erste Beschreibung der Funde aus dem Felsdach Schafstall II vor, die aus der Aus-grabung von Eduard Peters im Jahre 1948 stammen. Given the rarity of Paleolithic human skeletal remains from the Swabian Jura, future analyses of these finds could yield important new data on human population dynamics during the Late Pleistocene. Additionally, the finds include human bones and a tooth that may belong to the Upper Paleolithic. The collections from Schafstall II contain a small split-based antler point, which documents the use of the rockshelter by Aurignacian groups. Such inter-site refits have been documented in Gravettian and Magdalenian occupations at sites in the Ach Valley but are extremely rare in archaeological contexts. Among these is a refit of one lithic artifact from Schafstall II with a find from nearby Nikolaus Cave. These assemblages include refitting complexes of knapped Jurassic chert. Although few diagnostic artifacts are present in the collections, the majority of the finds appear to originate from the use of the rockshelter during the Upper Paleolithic. While detailed stratigraphic information is generally lacking, this paper reports the presence of 316 lithic artifacts as well as faunal material from Schafstall II. These collections originate from Eduard Peters' excavations in 1948. Until now, his name has been associated only with the title-pages of two manuscripts from the Grüssau collection, but both are dedications copied by other scribes (though the music that follows in one of these sources is copied in his hand).Īs part of a plan to revitalize Paleolithic research in the Lauchert Valley, we present an initial description of the collections from Schafstall II Rockshelter. Furthermore, among the works copied in this hand are seven pieces identified with the ‘HK’ monogram which may be the first identified autograph compositions by Kniebandl. Contemporary sources, including previously unexplored correspondence, suggest that these initials can be associated with Father Hermann Kniebandl, who also seems to have been one of the scribes represented in the collection-the first to have been identified in the entire collection up to now. ![]() I focus on a group of otherwise unknown compositions from these sources, all connected with the entwined monogram ‘HK’. The collection consists of 15 volumes of manuscript lute tablature, containing more than 2,000 pieces for Baroque lute. This article is concerned with one of the largest surviving collections of 18th-century lute tablature manuscripts, from the Cistercian abbey of Grüssau in Silesia (now Krzeszów, Poland). Considering the cuttings stylistically and, critically, interrogating their provenance, I propose that a further ten cuttings can also be linked to Littifredi's work for the monastery, and argue that Ramboux played a significant role in their initial collection. Two of these are in a previously unstudied manuscript album at the John Rylands Library, recently digitised. Through the emergence of several key pieces of evidence, most notably the identification of tracings of the manuscript made by the German artist Johann Anton Ramboux in the mid-1830s before its dismemberment, I have been able to link definitively three initials to this largely unresearched commission. Until now, all but one of its cuttings were believed to be lost. This manuscript, a choirbook produced for the monks at San Benedetto in Gubbio in 1499-1503, was dismembered in the nineteenth century. This article examines cuttings from a now-lost manuscript decorated by the littleknown Florentine illuminator Littifredi Corbizzi (1465-c.1515) at the turn of the sixteenth century.
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